| David
Fincher is a god. It's just that plain and simple. There are few directors
that get me as giddy as Fincher (Fight Club, Se7en, The Game, Alien 3).
Well despite these previous sentences, I was not expecting much out of his
latest, Panic Room.
It's hard to explain but in my eyes I saw
Panic Room as something of a "break" for Fincher. Sure it's
going to have the amazing camera work and the great atmospherics,
but it appeared to be lacking the deep story or lingering message of some
of his previous films. The movie centers around one massive gimmick, a
panic room. For those of you that don't watch movie trailers,
Lifestyles of the Rich & Famous, or Webster...a panic room is
basically a "safe" the size of a room. The basic idea is in the
event of a robbery or siege on your home, you lock yourself in the panic
room which is complete with food, surveillance
equipment, and a way to contact the outside world for help. This movie
doesn't start with a side story and eventually end up in the panic
room...the whole damn movie IS THE PANIC ROOM.
Despite my low expectations coming into
Panic Room, I was completely changed after the final credits rolled. PR is
definitely a popcorn movie and isn't going to stick with you like Fight
Club or keep you up nights like Se7en, but it's excellent at creating
suspense, witty humor, and great visuals.
We all know the simple premise of PR, so
instead of creating a typical review here, I'm going to write up a laundry
list of the things I loved about PR:
-The film was completely grounded in
reality. Never once throughout the course of the movie did you think,
"Bullshit, that would never happen." There's no b.s. special
effects, jumping midgets, or rocket launcher wielding monkeys. The reason
this movie was so good at creating suspense was it was completely
believable. The robbers (Forrest Whitaker, Jared Leto, and Dwight Yoakam)
acted just as you'd expect real "small-time" criminals to act.
Their makeshift ways to break into the room
seemed just like something you'd conjure up. Never once did I shake my
head and wonder what the f*ck the screenwriter was thinking, that's not a
small feat in movie theaters these days.
-Adding to this realism was the fight
scenes. There wasn't any Crouching Tiger, Hidden Wires crap in PR. I
understand that in some flicks this turns out to be excellent eye candy,
but it would have been completely out of place here. Single mothers don't
do backflips and beat up hardened criminals
with ease, and thankfully none of that type of husk is present in PR.
Another nice part about the fight scenes is they've maintained
the grittiness of Fight Club. Remember in
the basement brawls of Fight Club how Fincher always focused on the faces
of the spectators, not the participants of fights, whenever a huge blow
was landing. The grimacing faces of the spectators gave the blow twice the
effect it could have otherwise had. The same effect is used in Panic Room,
and it works perfectly!
-Insanely sweet camera
work. Fincher is at it again, and aside from Darren Aronofsky, no one can
do it better. During the first 20 minutes of the film you'll see what I
mean as he manipulates one camera (and one continuous
shot) through 3 levels of the house. It's almost as memorable as the
Cocacabanna entrance in Goodfellas, okay maybe not...but it's still
impressive.
-Jodie Foster. As many of you know Nicole
Kidman was originally supposed to play Meg Altman, the main character.
Personally I love the fact that Kidman got injured and Foster was her
replacement. I understand that if Kidman was in the role it might bolster
up the box office a little more, but it'd kill a lot
of the movie's credibility for me. I can't see Ms. Australian Albino
kicking ass and wielding sledgehammers, but I personally had no problem
believing the former Agent Clarice Starling. She dealt with Hannibal
Lecter, making a confrontation with three criminals appear like a walk in
the park. Who's Kidman roughed up in her acting days? Slapping around Tom
Cruise after watching his gay porno doesn't count. :)
Despite all the compliments I've showered
on this film, I have to dock it down a significant amount for one very
important reason: no replay value. Fight Club, The Game, and Se7en have
blessed my TV screen countless times, but I don't see any of that replay
value in Panic Room. It was a great suspense flick and definitely worthy
of a couple hours at the theater, but nothing in the movie will stick to
your ribs. Nothing will keep you coming back again and again. Panic Room
WAS great to watch, emphasis on "WAS".
Rating:   1/4 out of four.
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